Abstract
After going through a personal big life transition, I found unbearable distance between my perceptions and my memories, which I would not have noticed if my life had gradually changed. This agitated me and made me perplexed and discomforted. In this body of work, I purposely recollect my old memories in order to cope with the ambiguity and discomfort which continuously circulate around me. I try to find the way to live in harmony with my scattered memories. By using the medium of thread and clay, I try to synthesize my memories across time to make them live again in my work. In this process, memories are no longer ambiguous, but they are articulated in a tangible and visible form.